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Better Finder Holland

Game Review: Band Frontman Jason Williamson Takes On Character in Critical Look at Ecstasy Generation Era

Helmed by Bristol sound co-founder Geoff Barrow, this scabrous if slight debut feature casts a critical gaze on 90s rave culture. Venal pillhead David (the actor) initially steals from an unconscious dealer, then in a later recollection tries to break into his own family home. In no time, he's overturned in the wreckage of his car in a forest – and subject to the angry eye of the Poacher (vocalist Jason Williamson). Declining to free David, with impatience toward city dwellers, he is a fractured society personified: “You’re one of those noisy cunts from up on the heath.”

Unsteady Opening and Grimly Amusing Confrontation

The film begins uncertainly, lingering excessively on meticulously detailing David’s attempt to extricate himself from his seatbelt, while awkwardly transitioning into past scenes of his everyday life. The central theme – that the ecstasy generation were mainly focused on number one – is clearly conveyed. But these brief episodes are insufficiently developed to adequately prepare us for what to expect when the Poacher turns up, fuming after David kills his dog. Nevertheless, a darkly funny duel takes hold – David desperate to escape; the Woodsman denying his container of cider, intent on soaking him instead in embittered discourse. Williamson, exuding heavy threat in the role, is evocative of Michael Smiley.

Visual Flair and Promo-Inspired Sensibility

Just a single key story turn, but it results in a comically executed rampage on the forest trails that veers toward rural terror. Filmmaker John Minton finally gets to go all in with his ostentatious visuals: where he was focused intently doing impressionistic closeups of bugs in headlights in the early stages, he now lets rip with the full lysergic 21-gun salute, soundtracked to a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into making the leap from the Brit music promo scene.

Game is in UK and Irish theaters from 17 November.

By

Claudia Boyer

Emma is a travel enthusiast and writer, exploring the hidden gems of the Netherlands.

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